Project: MAKING: RENT-A-PAL
Studio: PRETTY PEOPLE PICTURES
Client: IFC MIDNIGHT
Date: 01/2020 to 07/2020
Role: EDITOR, PRODUCER, COMPOSER
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My Contribution:

• Co-produced and co-edited the comprehensive behind-the-scenes series MAKING: RENT-A-PAL, which offered an in-depth look into the movie's production, demonstrating my proficiency in documentary-style storytelling and post-production.

• Collaboratively edited 10 episodes of the series, balancing creative vision with the director's guidance, showcasing my ability to work effectively in a team and adhere to a shared artistic direction.

• Composed and produced over 30 original music tracks for the series, highlighting my versatility and skill in enhancing visual narratives with complementary audio elements.

• Played a pivotal role in capturing the essence of the movie-making process, contributing to a 7-hour-long web series and an hour-long DVD/Blu-Ray version, underlining my commitment to thorough, quality-driven content creation.

Project: WE LIVE THIS
Studio: HOVERCRAFT STUDIO
Client: WOODWARD
Date: 09/2019
Role: EDITOR
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My Contribution:

• Led the editing process for the WE LIVE THIS spot, a project that required sifting through extensive footage of dynamic skateboarding and gymnastics, showcasing my ability to select and assemble the most impactful visuals.

• Emphasized the energetic and youthful spirit of Woodward, adeptly crafting a narrative that highlighted the brand's core ethos and the impressive talents of young athletes from around the world.

• Collaborated with Hovercraft Studio to refine the final product, demonstrating my flexibility and teamwork in integrating motion graphics and updated footage provided by the studio.

• My editing work played a key role in creating an engaging and high-energy advertisement that effectively captured and communicated Woodward's unique brand identity.

Project: VIEW IN 2 / VIDCON
Studio: FUTURISTIC FILMS
Client: YOUTUBE
Date: 07/2018
Role: EDITOR
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My Contribution:

• Participated in the creation of a dynamic and engaging video series for YouTube, focusing on the collaboration between brands and YouTube creators, with a specific emphasis on the VidCon event.

• Played a pivotal role as the editor, infusing the project with a lively and appealing aesthetic, complemented by carefully selected music that enhanced the overall viewing experience.

• Crafted the video to be both entertaining and educational, targeting brand representatives with key insights into effective partnerships with YouTube content creators.

• Skillfully managed the video content to highlight interactions and interviews conducted at VidCon, ensuring that the final product was not only visually engaging but also rich in valuable information for brands.

• My involvement in this project demonstrated my adeptness in video editing, particularly in creating content that bridges the gap between digital creators and commercial brands, while also catering to a broad audience base interested in the evolving landscape of digital media and marketing.

Project: VARIOUS ADS
Studio: FUTURISTIC FILMS
Client: ANTHONY’S PIZZA
Date: 06/2018
Role: EDITOR, MOTION GRAPHICS
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My Contribution:

• Efficiently executed the editing of three commercials for Anthony’s Pizza, adhering closely to pre-selected storyboards and client directives, showcasing my proficiency in streamlined, focused editing.

• Skillfully integrated music and voice-over tracks to enhance the narrative impact and audience appeal of each ad, demonstrating my attention to audio-visual harmony.

• Added value to the final product with subtle motion graphics and stop-motion animations, reflecting my versatility in combining traditional editing with creative visual effects.

• The project exemplified my ability to deliver polished and engaging content within a clear framework, ensuring client satisfaction through precise execution and timely delivery.

Project: SPRING
Studio: FUTURISTIC FILMS
Client: BRECKENRIDGE
Date: 11/2017
Role: EDITOR, MOTION GRAPHICS
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My Contribution:

• Skillfully edited the SPRING campaign spots for Breckenridge, meticulously following pre-defined storyboards to ensure the final product aligned with the client's vision and campaign objectives.

• Demonstrated expertise in narrative construction and pacing, assembling updated footage and motion graphics to convey the vibrant and refreshing theme of spring effectively.

• Focused on maintaining the campaign's core identity while injecting new visual elements, balancing the need for both continuity and seasonal freshness in the advertising narrative.

• Contributed to a seamless and engaging promotional campaign, showcasing my ability to adapt editorial techniques to different thematic requirements and enhance the overall storytelling quality.

Project: VARIOUS ADS
Studio: FUTURISTIC FILMS
Client: COLORADO ROCKIES
Date: 09/2017
Role: EDITOR, MOTION GRAPHICS
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My Contribution:

• Played a key role in editing various commercials for the Colorado Rockies, focusing on highlighting recent player achievements and game highlights to promote upcoming games.

• Demonstrated agility and timeliness in editing, ensuring that each commercial featured the most recent and relevant content to maintain a strong connection with the ongoing baseball season.

• Employed creative editing techniques to craft engaging narratives that not only showcased player highlights but also built excitement for future games, enhancing fan engagement.

• Managed to keep the commercials fresh and up-to-date, effectively avoiding the use of dated footage and aligning the content with the dynamic nature of the baseball season.

Project: 529 SAVINGS CAMPAIGN
Studio: FUTURISTIC FILMS
Client: COLLEGE INVEST
Date: 08/2016
Role: EDITOR, MOTION GRAPHICS
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My Contribution:

• Led the initial phase of the editing process by meticulously reviewing all footage and selecting the most impactful shots, demonstrating my keen eye for detail and narrative potential.

• Collaborated closely with the director in a high-pressure setting to refine selects and edit three distinct commercials, showcasing my ability to work effectively under direct supervision and guidance.

• Managed the creation of multiple versions of each ad, some differing only by a few frames, which required exceptional organizational skills and a thorough understanding of the project's nuances.

• Operated in a dynamic editing environment with several key stakeholders, including the client, overseeing my work, maintaining composure and professionalism throughout the process.

• Successfully delivered a polished and effective series of commercials despite the complexities of the editing process and the high level of scrutiny, underscoring my proficiency in high-stakes, collaborative editing projects.

Project: STOUT STREET CLINIC
Studio: FUTURISTIC FILMS
Client: VISION HEALTH INT.
Date: 08/2017
Role: EDITOR
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My Contribution:

• Overcame the challenge of limited and less-than-ideal footage by employing creative editing techniques for the STOUT STREET CLINIC project, aimed at raising awareness and funds for an important cause.

• Utilized post-production zooms and slow-motion effects to enhance the emotional impact of the available footage, demonstrating resourcefulness and technical ingenuity.

• Crafted a compelling and emotive narrative from the existing material, focusing on storytelling elements that would resonate with viewers and encourage support for the clinic.

• Adapted my editing approach to maximize the effectiveness of the footage, resulting in a powerful video that successfully conveyed the project's message despite initial constraints.

• The project showcased my ability to deliver impactful and meaningful content under less-than-ideal circumstances, highlighting my creativity and adaptability as an editor.

Project: WINTER NIGHTLIFE
Studio: FUTURISTIC FILMS
Client: BRECKENRIDGE
Date: 07/2017
Role: EDITOR, MOTION GRAPHICS
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My Contribution:

• Expertly edited the WINTER NIGHTLIFE campaign for Breckenridge, focusing on capturing the unique energy and ambiance of the winter season, showcasing my ability to adapt thematic elements effectively.

• Employed a range of editing techniques to bring the winter experience to life, ensuring each scene reflected the excitement and allure of Breckenridge's nightlife.

• Collaborated with the creative team to select footage that highlighted winter activities and events, contributing to a narrative that was both engaging and representative of the brand.

• Managed the pacing and flow of the campaign, creating a visually compelling story that appealed to winter enthusiasts and aligned with Breckenridge's marketing goals.

• The project emphasized my skill in thematic storytelling and my capacity to create distinctive seasonal narratives, enhancing the overall appeal of the campaign.

Project: PLAY ON COLORADO
Studio: FUTURISTIC FILMS
Client: COLORADO LOTTERY
Date: 05/2017 to 06/2017
Role: EDITOR, VISUAL EFFECTS
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My Contribution:

• Pioneered the post-production process for three 360 Video/Virtual Reality experiences, researching and establishing a robust workflow for integrating visual effects in the nascent field of 360 Video.

• Manually stabilized 360 Video footage captured from a bike helmet during a cliff descent, enhancing the viewer's immersive experience and conveying the excitement of the ride.

• Managed editing and visual effects clean-up for various 360 Video shots, showcasing my adaptability and skill in working with emerging video technologies.

• Played a key role in client reviews, effectively communicating the nuances of 360 Video/VR experiences and assisting clients with using VR headsets, demonstrating my ability to facilitate client engagement with new media formats.

• The project highlighted my ability to lead in uncharted technical territories, creating engaging and innovative content that pushed the boundaries of traditional video editing.

Project: HANDS & FEET
Studio: FUTURISTIC FILMS
Client: BANKPLUS
Date: 08/2016
Role: EDITOR
View: CLICK HERE

My Contribution:

• Spearheaded the editing process for BANKPLUS's HANDS & FEET campaign, working closely with the director to execute their vision and maintain a high standard of quality.

• Demonstrated flexibility and resilience by producing numerous versions of each edit, catering to the director's detailed and specific requests, showcasing my adaptability to various creative inputs.

• Managed a high-pressure editing environment with frequent supervision from both the director and the client, ensuring that all feedback was promptly and effectively incorporated into the edits.

• My performance on this project, characterized by professionalism and skillful execution under close scrutiny, led to a continued collaboration with the director on future projects, including the College Invest ads.

• The success of this project highlighted my ability to work harmoniously with demanding directors and clients, cementing my reputation as a reliable and proficient editor in challenging scenarios.

Project: 2014 POLITICAL CYCLE
Studio: MVAR MEDIA
Client: VARIOUS
Date: 08/2014 to 10/2014
Role: EDITOR, MOTION GRAPHICS

My Contribution:

• Led the editing for dozens of 30-second political commercials during the 2014 election cycle, showcasing my capacity to handle a high volume of work in a fast-paced, deadline-driven environment.

• Played a critical role in shaping the narrative and visual flow of each ad, ensuring that the content was precisely tailored to engage targeted audiences and convey the intended political messages.

• Demonstrated adeptness in editing under pressure, balancing the need for quick turnaround with maintaining high-quality content that resonated with voters and met campaign objectives.

• Employed a strategic approach to editing, using persuasive storytelling techniques to enhance the effectiveness of each political message, contributing to the overall impact of the campaign.

• This project underscored my expertise in political media editing and my ability to work independently and efficiently, reaffirming my growing reputation in the field of political advertising.

Project: THE MAKING OF EAT
Studio: PRETTY PEOPLE PICTURES
Client: 1091 MEDIA
Date: 05/2013 to 09/2013
Role: EDITOR, MOTION GRAPHICS, CONTENT MANAGER
View: CLICK HERE

My Contribution:

• Single-handedly managed the entire editing process for THE MAKING OF EAT: Web Series, ensuring the production narrative was both compelling and informative for the audience.
• Reviewed and selected key footage from hundreds of hours, creating a coherent narrative that provided an in-depth look at the challenges of microbudget filmmaking.
• Authored concise and engaging episode descriptions and other essential metadata for YouTube, enhancing the series' online presence and accessibility.
• Designed and generated custom thumbnail previews for each episode, maintaining consistency with the show's branding and increasing viewer engagement.
• Oversaw the strategic release schedule of the web series, ensuring timely weekly uploads to YouTube, which involved meticulous planning and coordination.
• Through these efforts, not only did I showcase my editing prowess but also demonstrated my skills in digital content management and online marketing strategy.

Project: EAT
Studio: PRETTY PEOPLE PICTURES
Client: 1091 MEDIA
Date: 05/2013 to 09/2013
Role: EDITOR
View: CLICK HERE

My Contribution:

• Led the editing process for the feature-length horror film EAT, showcasing my ability to craft a narrative that effectively balances tension, pacing, and storytelling.
• Skillfully shaped the film's intense horror and gore elements through meticulous editing, contributing significantly to the movie's overall atmosphere and audience reception.
• Utilized advanced editing techniques to heighten suspense and engage viewers, ensuring that each scene maximized its impact within the film's thematic framework.
• Received acclaim for the film's editing, particularly for creating a visceral and immersive horror experience that resonated strongly with its audience.
• This project highlighted my proficiency in genre-specific editing, demonstrating my capacity to elicit strong emotional responses from viewers through careful scene construction and pacing.

Project: 2012 POLITICAL CYCLE
Studio: MVAR MEDIA
Client: VARIOUS
Date: 08/2012 to 11/2012
Role: LEAD EDITOR, MOTION GRAPHICS

My Contribution:

• Functioned as the sole editor for hundreds of political commercials during the intense 2012 election cycle, demonstrating my capability to manage and execute large-scale editing projects.

• Played a pivotal role in the post-production process, meticulously editing each ad to effectively target specific voter demographics and convey precise political messages.

• Balanced a high volume of work under tight deadlines, showcasing my proficiency in rapid yet precise editing to meet broadcast standards on platforms like Extreme Reach.

• Maintained a consistent level of quality and accuracy across all commercials, ensuring that each piece resonated with its intended audience and upheld the campaign's overall messaging strategy.

• This project was a testament to my skills in handling extensive editorial responsibilities and my ability to deliver engaging, strategically-focused political content, reinforcing my reputation as a proficient and reliable editor in high-pressure environments.

Project: 2010 POLITICAL CYCLE
Studio: SHINE CREATIVE
Client: VARIOUS
Date: 08/2010 to 11/2010
Role: EDITOR, MOTION GRAPHICS

My Contribution:

• Orchestrated the editing of hundreds of political commercials for the 2010 election cycle, playing a crucial role in shaping the content to effectively communicate targeted political messages.

• Exhibited precision and efficiency in editing, ensuring each advertisement was crafted to resonate with specific voter demographics, thereby maximizing impact and engagement.

• Managed the nightly process of exporting ads to tape and coordinating their delivery to broadcast stations, a role that demanded exceptional organizational skills and adherence to strict deadlines.

• Contributed significantly to the project's success, which not only established my expertise in political editing but also led to subsequent engagements with MVAR Media.

• This initial foray into political media editing laid the groundwork for my future projects, demonstrating my ability to navigate high-pressure environments and deliver content that aligns with strategic communication goals.

Project: INCUBATOR
Studio: PRETTY PEOPLE PICTURES
Client: (SELF INITIATED)
Date: 02/2010
Role: EDITOR
View: CLICK HERE

My Contribution:

• Served as the writer, director, editor, and composer for the short film INCUBATOR, a project that exemplified my versatility and creativity in independent filmmaking.

• Skillfully edited the film to craft an extremely intense tone and engaging non-dialogue action, key elements that contributed significantly to the film's acclaim and success.

• Led the project from concept to completion, demonstrating my proficiency in storytelling, visual narration, and thematic development through meticulous editing.

• Garnered selection in over 50 international film festivals and won 13 awards, underlining the film's impact and the effectiveness of my editorial vision and execution.

• Praised for my ability to bring the narrative to life in the editing phase, showcasing my skill in creating tension and engagement without relying on dialogue, a testament to my editorial expertise.